
Photo by Jack Shear
Moving Around for the Light, a Madrigal
for Lucas Foglia & Utopia, Virginia
The natural order of things.
Sugar-bushing. Some
things we do would gross people out
because they just don’t know. Always was
baffled by the connections in life. It’s
moving around for the light. I thought,
that plant’s growing before my eyes, it’s insane.
What the news media don’t want you
to know about. All the wild edible plants,
for instance. Getting on good here, blacks
and white. No fossil-fuel based technology. I’ve
eaten owl. Wing muscles and leg muscles,
that’s the only meat on him.
So much roadkill— beavers,
otters, deer, raccoon.
We cook them up, preserve
the hide instead of slashing it. Got it
laid out real clear.
A lot can be done with duct tape. A bucket
of honey between May and August. Who
controls oil controls the world.
It’s a lawyer’s racket, but they don’t go
by law. That’s the truth and people don’t even
know it. Want to find my bearings in
what’s real. Started an anarchist collective with
thirteen others. Like myself, independent people.
Mountains seem to draw folks who want to live
in wilderness. The biggest problems come from being
disconnected. I did really well in school, but
I didn’t like it. How do you sustain yourself day to day?
Take five milk goats and a sack of sweet potatoes.
A grist mill, a harness shop. Most people
independent enough to live out here like this,
they’re too independent to listen to each other.
Feed somebody lunch and they cut your wood
all year—that works. Until
the kids are grown, don’t want to
bring others in. On account of influence.
Some things we do would gross people out
because they don’t know.
Where do you think you come by your pattern
for your ax handle? Take your old ax handle
and lay it on there. Nobody comes in,
nobody leaves. We’ll mind ourselves, let us alone.
They wear people out so they say, I’ll
just pay the fine. That’s the truth
and people don’t even know it. I was on her windshield
20 or 30 feet and then she hit the brakes
and I flew into a telephone pole.
Heard a lot of stories about people’s
lives. Who needs a house and how much
tin? We’re different, you can’t treat us the same. Garlic,
pumpkin, onions, squirrel. And they
come to learn to make sorghum. Those that
have enough guts to live off the land, they are
independent people like myself.
But I lived in community. Lived with the Amish.
With them, wood-cutting isn’t cutting wood,
wood’s a by-product. That’s why you can’t
use chainsaws. Can’t talk to someone
over a chainsaw. Want to move
in a way that’s more connected. See
the cause and effect in my life.
Right at the start of my senior year. A natural
progression from activism and travel. How do you
sustain yourself day to day?
And they come to learn to make sorghum.
What the news media don’t want you
to know. Those dogs, they’re rabbit dogs. Like
to lose that feeling of being a foreigner and find
a sense of being at home. Out
felling trees alone on a windy day. Took my eyes
off it for 3 seconds, a big gust of wind came up
and blew it down on me. My first thought
was Oh shit I don’t have insurance,
which is a really funny thought, considering.
Let’s get this process right.
I’m not quitting unless I feel
in my heart I’m going to quit.
That’s the difference between me and other people.
Blue heron is good, tastes good.
Ever eat a blue heron?
Supervisor said there’s no common law
in Virginia. We don’t know how fast it’s going
to happen. Food’s going to be
number one. Next is going to be
ammo. We figure we’ll end up feeding
a lot of outsiders. Took my eye off it for 3 seconds.
First thought was Oh shit. It’s
a right, it’s always been a right.
The difference between me and other people.
We’ll care for ourselves, let us alone.
I’ve got it laid out real clear.
Biggest problems come from being
disconnected. Beavers, otters, deer, raccoon. I’ve
eaten owl. Hard to feed yourself for a year.
Milk goats are the most valuable thing
you can have. Banks go down, people can’t get
money, they’ll see what they need.
Food’s number one. And next
is going to be ammo. If bad goes to worse,
we’ll post a man to keep out strangers.
Working to get that other doctor to move here. Like
in Vietnam killing those women and kids, that’s
not the American mindset but
I think it might come to such. Tanning
hides. Fire without matches. When
others won’t, we’ll make it. Take
five milk goats and a sack of sweet
potatoes, you can go anywhere. The
natural order of things is when
a species gets dominant over its niche. I’m always
baffled by the connections. That plant’s
growing before my eyes, it’s--.
Instantly felt comfortable here.
Skinned my first raccoon and it looked
so much like a fetus I cried.
Don’t know how fast it’s going to happen or
if it’ll happen, but if it doesn’t happen,
we’re not hurting either way.
Grew up using a bow and
arrow to shoot rabbits. Need to be around
like-minded people. So I can see
the cause and effect in my life.
They’re really strong personalities.
I have a strong personality too.
Nobody comes in, nobody leaves. Ever
eat a blue heron?
Natural order of things.
Wing muscles and leg
muscles. That’s the only meat on him.
Where do you think you come by your pattern?
Let’s get this process right.
Want to find my bearings in what’s real.
Move in a way that’s more connected.
POEMS
by Forrest Gander
Mission Thief
Picking up toward evening
bay breezes quicken
The Mission and
fuchsia petals plop
onto slabs of root-tilted sidewalk
a local tectonics we maneuver
you and I fecund with our
renewed vows en route
to La Cumbre with its Aztec
mural and gorditos
at the curb, windows opaque,
a black 75 Cadillac
rocks high up and drops
back on pneumatic shocks
a whiff of carne asada
poles mummified with posters:
Has Visto Este Niño / Thrash Polka at Slims
while—
five blocks away
the imminent lays its egg
in the eye of evening and what
begins as tenderness
will end at Calvary
for whose devotion can I claim
to aim wholly at you if holding
your hand even so
my eyes swivel
to see the woman at her door
with dim desire or is it
nostalgia finally, mere registration,
an animal impulse
tightens the solar plexus—
only at the crossing only
through horizons—
three blocks away
a white-haired man
the collar of his jacket
stained with sweat
closes his saddlebags and leans
his bicycle, all he owns,
against the pharmacy wall
while a panhandler puts down
his bagged bottle
by the lightpost and watches—
you reach for
my hand as we cross Dolores I spit
sidewise into my shadow
when you aren’t looking
the monitor on a stool outside the Mission Revival
plays a live feed
of the sermon within
a bleak scene few men
one child about twelve
sweaty preacher’s sthenic rant
dressed well
a parishioner slips out
through front doors but before
they close, another—one
of us, the casual assembly of voyeurs—
ushers herself in:
so water evaporating from treetops
siphons water through leaf
which siphons water
through xylem up the trunk
from roots maybe when
one escapes
the other is sucked inside
who will rescue her?
not me and not open-mouthed
opportunity
eyeing the bike against the wall—
we do not see
the man the panhandler steal the bike
though others can
two sparrows titter in fescue
on the traffic island
where we continue to stroll
in urban intimacy the same
tuned rhythm our synced steps
mark us a couple
a couplet on the page of scrawled noise
men sawing pavement at the corner
thick rap bass thumping
from open cars a Harley
growls around Guerrero
Mexican songs at the café we pass
a splash of Mandarin washes over
the protected pool of our taking-it-in
only at the crossing only through horizons
with roses for sale, approaching the pair
eating at a curbside table,
an ink-haired Guatemalan girl in a red dress
her shyness hovers at the edge of their plates like a fly
the bicycle thief wobbles our way—
long strips of stratus make it
a dropjaw sunset I stumble and
from behind you
catch the swing phase of your walk
erotic your left foot pigeon-toed
hips narrow as a boy’s
but what hatched in the alley and left
that urine stink and sparrows
thikke as motes in the sonne-beem
and two starlings
their wings scissored behind them
like mournful rabbis
I used to imagine strangers naked
you say now I imagine them in coffins
the back of our hands touch
you squeeze my thumb the body
ambiguously subject and
object a dog tied to a fireplug sneezes
the man passing by says Bless you
a little sordid and still warm leftover
flan-yellow of day remains
before what was once called civil-dark
when it grew too dim to work and
the ice man with his iron-scorpion
dragged to a kitchen his last block
already the future is cued up and closing in
summoning us to what?
the thief pedals toward us
though we have not seen him—
when you turn
your face to ask me if
Mexicans call hummingbirds colibrí
or chupaflor flower-sucker the light
reveals your irises’ steel rims
dark hoops that hold the blue in
and do we invent this privacy
the privilege to brim with each other
as though our rillet might be
deduced from the mainstream
as if we were stirred together
past mere propinquity
and the desperate and enraged
were eased by such a day
as in that story of the wolf
un-stalking its prey the familiar
rapture I presume you feel
with me even as I tongue
the prickles in my throat
that foretell a cold and step back
to the brink—
of thee, smudged
newspaper print where your
fingers brushed your nose
at once we sense a commotion ahead
as faces one by one like cards
when a bet is called
flip their open expression
toward us
what is happening
hurtles our way in shouts shouts
as if something were
being birthed, alert
I see the man on bicycle
under a neon taquería sign—
only at the crossing only through
horizons between— someone yells
something inarticulate
almost to us—
he is racing
recklessly up the sidewalk—startled
pedestrians jump aside—
already plummeting
from prospective to present
his counterpoint
divorcing you from me
from the rhythm of our tangency
our breaking into my and my
I lurch and cannot feel yet and fail to rise
into the revision
of circumstance as though
I tumbled from stairs
to a spotlit stage where you were
cut off from me by the light
a sidewalk of strangers
severed from concerns that seconds prior
perfectly contained them
waylaid and yielding their leads
for the role of audience
the drama hurrying on its way
the head of event expanding
the dark head of event crowning before us—
and still it is not clear
what is happening what
is impinging on us
an obligation I hear
an indecipherable whinny of alarm
the immediate stamping in its stall
as the thief nears our end of the block
as light that left a galaxy
in the Hercules cluster
600 million years ago
now burns through the horizon
and ignites a life
that was never beyond my seeing
and the same wakes up from itself
pain of the eye overwhelmed by light
while I strain for clues
in the surprised faces
the many misconstrued bodies
off balance on pause
to isolate the bicyclist
in his singular tumult
he who supplants you
who makes his claim
greater on me
he himself custodian now
of this present in which
against inertia I strain to act
but—
how quickly he penetrates
the blister of my regard
from which you’ve been extracted
as the world goes quiet
and the event of identification
gathers me into its theme
handlebar and rear-rack panniers
swinging side to side half
standing on pedals whose
wild joggling wide-wet eyes urge
No no don’t stop me
I mean to grab for his arm
but your hand stays mine and
from an infinite distance
I recall you
your presence
blows in, a red petal,
three of us
briefly enjoined
pooling our volitions
you tug my shirt
my hand slaps his neck
half-assed scuffle my
knuckles scrape the stucco wall—
as he flails
at me I can hear but
whom do I hear?
my failure all along
to secern even you
who are saying No
the word rings and through the ring
a thin scarf of disapproval
draws across my vague intent
awkward in the struggle
to hold him to judge what
effort to make with whom
am I thrashing
a bent stalk a question mark
for a backbone
my hand touching his shoulder
so tentative and slow
the gesture might be taken
for an act of deputation
a surplus of devotion the
bestowal of meaning then
he stiff-arms me and
I turn—
like the other
spectators, a pure stare
now a singularity uncoupled once again
that readily from you like the dissolving glow
of a clicked-off light
the floater behind a closed eye
and so combined elements
on the stalk of an instant
unpetal their parts in wind
a hand bleeding a man on bicycle
a murky sense of restraint which is you
breached from the we I presupposed
lifted from the felt
background and placed here again
near but across the caesura
the rent stanza in our accord
as what I am cracks
into two acts
and one replays the scene
revising it toward—
some imagined salvific end
if trajectory
is divisible
I gauge the thief’s increasing
distance from me
instinctively as when flying
I measure the gap
from jet to ground
with an image of my body falling
a red petal
he veers to the street
and something summons me again
a wheeze spins me around
to see a white-haired man
in a sluggish run
slather of mucus under
pigeon-hole nostrils, his gaze
nailed ahead at the crossing
my eyes put on his face
his mouth a gasping rictus
as he plods past
never to catch
what—
lulled on routine and self
and casual neglect I let slip
rooted in place around me
a block of storefronts and trees
a man on foot falling farther behind
the one on bike and
the rest of us unrescued
stopped in time transfixed
to this stark spectacle of our separateness
making its stand
hammering its horizons home
behind which each of us says I don’t know
who you are
you never broke through me
the key makes no sound
when you go to play
the world shifts
along a hairline crack
you can’t tell
what is happening
until it moves on and is gone
as someone and someone’s grief
careen around a corner


