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Photo by Jack Shear

Moving Around for the Light, a Madrigal

for Lucas Foglia & Utopia, Virginia

The natural order of things.

Sugar-bushing. Some

things we do would gross people out

 

because they just don’t know. Always was

baffled by the connections in life. It’s

moving around for the light. I thought,

 

that plant’s growing before my eyes, it’s insane.

What the news media don’t want you 

to know about. All the wild edible plants, 

 

for instance. Getting on good here, blacks 

and white. No fossil-fuel based technology. I’ve

eaten owl. Wing muscles and leg muscles,

 

that’s the only meat on him.

So much  roadkill—  beavers,

 otters, deer, raccoon.

 

We cook them up, preserve

the hide instead of slashing it. Got it

laid out real clear.

 

 

A lot can be done with duct tape. A bucket

of honey between May and August. Who

controls oil controls the world.

 

It’s a lawyer’s racket, but they don’t go 

by law. That’s the truth and people don’t even 

know it. Want to find my bearings in 

 

what’s real. Started an anarchist collective with 

thirteen others. Like myself, independent people.

Mountains seem to draw folks who want to live 

 

in wilderness. The biggest problems come from being 

disconnected. I did really well in school, but 

I didn’t like it. How do you sustain yourself day to day?

 

Take five milk goats and a sack of sweet potatoes.

A grist mill, a harness shop. Most people

independent enough to live out here like this,

 

they’re too independent to listen to each other.  

Feed somebody lunch and they cut your wood 

all year—that works. Until

 

the kids are grown, don’t want to

bring others in. On account of influence.  

Some things we do would gross people out

 

because they don’t know.

Where do you think you come by your pattern 

for your ax handle? Take your old ax handle 

 

and lay it on there. Nobody comes in, 

nobody leaves. We’ll mind ourselves, let us alone.

They wear people out so they say, I’ll

 

just pay the fine. That’s the truth 

and people don’t even know it. I was on her windshield 

20 or 30 feet and then she hit the brakes 

 

and I flew into a telephone pole.

Heard a lot of stories about people’s 

lives. Who needs a house and how much 

 

tin? We’re different, you can’t treat us the same. Garlic,

pumpkin, onions, squirrel. And they

come to learn to make sorghum. Those that

have enough guts to live off the land, they are 

independent people like myself.  

But I lived in community. Lived with the Amish.

 

With them, wood-cutting isn’t cutting wood, 

wood’s a by-product. That’s why you can’t 

use chainsaws. Can’t talk to someone 

 

over a chainsaw. Want to move 

in a way that’s more connected. See

the cause and effect in my life.

 

Right at the start of my senior year. A natural

progression from activism and travel. How do you

sustain yourself day to day?  

 

And they come to learn to make sorghum.

What the news media don’t want you 

to know. Those dogs, they’re rabbit dogs. Like

 

to lose that feeling of being a foreigner and find 

a sense of being at home. Out 

felling trees alone on a windy day. Took my eyes

 

off it for 3 seconds, a big gust of wind came up

and blew it down on me. My first thought

was Oh shit I don’t have insurance, 

 

which is a really funny thought, considering.

Let’s get this process right.

I’m not quitting unless I feel 

 

in my heart I’m going to quit.

That’s the difference between me and other people. 

Blue heron is good, tastes good. 

 

Ever eat a blue heron?

Supervisor said there’s no common law 

in Virginia. We don’t know how fast it’s going 

 

to happen. Food’s going to be 

number one. Next is going to be 

ammo. We figure we’ll end up feeding 

 

a lot of outsiders. Took my eye off it for 3 seconds. 

First thought was Oh shit. It’s 

a right, it’s always been a right.

 

 

The difference between me and other people.

We’ll care for ourselves, let us alone.

I’ve got it laid out real clear.

 

Biggest problems come from being 

disconnected. Beavers, otters, deer, raccoon. I’ve 

eaten owl. Hard to feed yourself for a year.

 

Milk goats are the most valuable thing 

you can have. Banks go down, people can’t get 

money, they’ll see what they need.  

 

Food’s number one. And next 

is going to be ammo. If bad goes to worse, 

we’ll post a man to keep out strangers.

 

Working to get that other doctor to move here. Like

in Vietnam killing those women and kids, that’s

not the American mindset but

 

I think it might come to such. Tanning

hides. Fire without matches. When

others won’t, we’ll make it. Take

 

five milk goats and a sack of sweet 

potatoes, you can go anywhere. The

natural order of things is when 

 

a species gets dominant over its niche. I’m always

baffled by the connections. That plant’s

growing before my eyes, it’s--.

 

Instantly felt comfortable here.

Skinned my first raccoon and it looked

so much like a fetus I cried.

 

Don’t know how fast it’s going to happen or 

if it’ll happen, but if it doesn’t happen, 

we’re not hurting either way.  

 

Grew up using a bow and  

arrow to shoot rabbits. Need to be around 

like-minded people. So I can see

 

the cause and effect in my life.

They’re really strong personalities.

I have a strong personality too.

 

Nobody comes in, nobody leaves. Ever

eat a blue heron?

Natural order of things.

 

Wing muscles and leg

muscles. That’s the only meat on him.

Where do you think you come by your pattern?

 

Let’s get this process right.

Want to find my bearings in what’s real.

Move in a way that’s more connected.

POEMS
by Forrest Gander

Mission Thief

Picking up toward evening

 

    bay breezes quicken

 

                The Mission and

 

                fuchsia petals plop

 

                onto slabs of root-tilted sidewalk

 

                a local tectonics we maneuver

 

                you and I fecund with our

 

                renewed vows en route

 

                to La Cumbre with its Aztec

 

                mural and gorditos

 

                at the curb, windows opaque,

 

                a black 75 Cadillac

 

                rocks high up and drops

 

                back on pneumatic shocks

 

    a whiff of carne asada

 

    poles mummified with posters: 

 

    Has Visto Este Niño / Thrash Polka at Slims

 

                while—

 

  five blocks away

 

the imminent lays its egg

 

in the eye of evening and what

 

begins as tenderness

 

will end at Calvary

 

for whose devotion can I claim

 

to aim wholly at you if holding

 

your hand even so 

 

my eyes swivel 

 

to see the woman at her door

 

with dim desire or is it

 

nostalgia finally, mere registration,

 

an animal impulse

 

tightens the solar plexus—

 

only at the crossing only

 

through horizons—

 

three blocks away

 

a white-haired man

 

the collar of his jacket 

 

stained with sweat

 

closes his saddlebags and leans

 

his bicycle, all he owns,

 

against the pharmacy wall 

 

while a panhandler puts down

 

his bagged bottle

 

by the lightpost and watches—

 

you reach for

 

                my hand as we cross Dolores I spit

 

                sidewise into my shadow

 

                when you aren’t looking

 

                the monitor on a stool outside the Mission Revival 

 

      plays a live feed

 

                of the sermon within 

 

                a bleak scene few men

 

                one child about twelve

 

                sweaty preacher’s sthenic rant

 

                dressed well

 

                a parishioner slips out

 

                through front doors but before

 

                they close, another—one

 

                of us, the casual assembly of voyeurs—

 

                ushers herself in:

 

                so water evaporating from treetops

 

                siphons water through leaf

 

                which siphons water 

 

      through xylem up the trunk 

 

    from roots maybe when

 

               one escapes

 

               the other is sucked inside

 

               who will rescue her?

 

               not me and not open-mouthed

 

    opportunity

 

               eyeing the bike against the wall—

 

 

 

 

 

 

 

 

                                                              we do not see

 

the man the panhandler steal the bike

 

though others can

 

two sparrows titter in fescue

 

on the traffic island

 

where we continue to stroll

 

in urban intimacy the same

 

tuned rhythm our synced steps

 

mark us a couple

 

a couplet on the page of scrawled noise

 

men sawing pavement at the corner

 

thick rap bass thumping

 

from open cars a Harley

 

growls around Guerrero

 

Mexican songs at the café we pass

 

a splash of Mandarin washes over 

 

the protected pool of our taking-it-in

 

only at the crossing only through horizons

 

with roses for sale, approaching the pair

 

eating at a curbside table,

 

an ink-haired Guatemalan girl in a red dress

 

her shyness hovers at the edge of their plates like a fly

 

the bicycle thief wobbles our way—

 

 

long strips of stratus make it

 

                a dropjaw sunset I stumble and

 

    from behind you

 

                catch the swing phase of your walk

 

                erotic your left foot pigeon-toed

 

                hips narrow as a boy’s

 

                but what hatched in the alley and left

 

    that urine stink and sparrows

 

                thikke as motes in the sonne-beem

 

    and two starlings

 

                their wings scissored behind them

 

                like mournful rabbis

 

                I used to imagine strangers naked

 

                you say now I imagine them in coffins

 

                the back of our hands touch

 

                you squeeze my thumb the body

 

                ambiguously subject and 

 

                object a dog tied to a fireplug sneezes

 

                the man passing by says Bless you

 

                a little sordid and still warm leftover

 

                flan-yellow of day remains

 

                before what was once called civil-dark

 

                when it grew too dim to work and 

 

                the ice man with his iron-scorpion

 

                dragged to a kitchen his last block

 

                already the future is cued up and closing in

 

    summoning us to what?

 

                the thief pedals toward us

 

    though we have not seen him—

 

 

 

 

 

 

                                         when you turn

 

your face to ask me if 

 

Mexicans call hummingbirds colibrí

 

or chupaflor flower-sucker the light

 

reveals your irises’ steel rims

 

dark hoops that hold the blue in

 

and do we invent this privacy

 

the privilege to brim with each other

 

as though our rillet might be

 

deduced from the mainstream

 

as if we were stirred together

 

past mere propinquity

 

and the desperate and enraged

 

were eased by such a day 

 

as in that story of the wolf

 

un-stalking its prey the familiar

 

rapture I presume you feel

 

with me even as I tongue

 

the prickles in my throat

 

that foretell a cold and step back

 

to the brink—

 

 

 

 

of thee, smudged

 

                newspaper print where your

 

                fingers brushed your nose

 

                at once we sense a commotion ahead

 

                as faces one by one like cards

 

                when a bet is called 

 

                flip their open expression

 

                toward us

 

                what is happening

 

                hurtles our way in shouts shouts

 

    as if something were

 

    being birthed, alert

 

                I see the man on bicycle

 

                under a neon taquería sign— 

 

    only at the crossing only through

 

         horizons between— someone yells

 

                something inarticulate

 

                almost to us—

 

 

 

                                                  

 

 he is racing

 

recklessly up the sidewalk—startled

 

pedestrians jump aside—

 

already plummeting

 

from prospective to present

 

his counterpoint

 

divorcing you from me

 

from the rhythm of our tangency

 

our breaking into my and my

 

I lurch and cannot feel yet and fail to rise

 

into the revision

 

of circumstance as though

 

I tumbled from stairs

 

to a spotlit stage where you were

 

cut off from me by the light

 

a sidewalk of strangers

 

severed from concerns that seconds prior

 

perfectly contained them

 

waylaid and yielding their leads

 

for the role of audience 

 

the drama hurrying on its way

 

the head of event expanding

 

the dark head of event crowning before us—

 

 

 

and still it is not clear

 

    what is happening what

 

    is impinging on us

 

    an obligation I hear

 

               an indecipherable whinny of alarm

 

               the immediate stamping in its stall

 

    as the thief nears our end of the block

 

    as light that left a galaxy

 

    in the Hercules cluster

 

    600 million years ago

 

              now burns through the horizon

 

               and ignites a life

 

               that was never beyond my seeing

 

      and the same wakes up from itself

 

    pain of the eye overwhelmed by light

 

               while I strain for clues 

 

    in the surprised faces

 

               the many misconstrued bodies 

 

    off balance on pause

 

                to isolate the bicyclist 

 

      in his singular tumult

 

                he who supplants you

 

                who makes his claim 

 

      greater on me

 

                he himself custodian now

 

                of this present in which

 

                against inertia I strain to act

 

                but—

 

 

 

 

 

 

                               

 how quickly he penetrates

 

the blister of my regard

 

from which you’ve been extracted

 

as the world goes quiet

 

and the event of identification

 

gathers me into its theme

 

handlebar and rear-rack panniers

 

swinging side to side half

 

standing on pedals whose

 

wild joggling wide-wet eyes urge

 

No no don’t stop me

 

I mean to grab for his arm 

 

but your hand stays mine and 

 

from an infinite distance

 

I recall you

 

your presence

 

blows in, a red petal,

 

three of us

 

briefly enjoined

 

pooling our volitions

 

you tug my shirt

 

my hand slaps his neck 

 

half-assed scuffle my

 

knuckles scrape the stucco wall—

 

 

 

as he flails

 

                at me I can hear but

 

                whom do I hear?

 

                my failure all along

 

                to secern even you

 

    who are saying No

 

                the word rings and through the ring

 

                a thin scarf of disapproval

 

                draws across my vague intent

 

                awkward in the struggle

 

                to hold him to judge what

 

                effort to make with whom

 

                am I thrashing 

 

                a bent stalk a question mark 

 

    for a backbone

 

                my hand touching his shoulder

 

                so tentative and slow

 

                the gesture might be taken

 

                for an act of deputation

 

      a surplus of devotion the

 

    bestowal of meaning then

 

               he stiff-arms me and

 

               I turn—

 

 

 

 

                                        like the other

 

spectators, a pure stare

 

now a singularity uncoupled once again

 

that readily from you like the dissolving glow

 

of a clicked-off light

 

the floater behind a closed eye

 

and so combined elements

 

on the stalk of an instant

 

unpetal their parts in wind

 

a hand bleeding a man on bicycle

 

a murky sense of restraint which is you

 

breached from the we I presupposed

 

lifted from the felt

 

background and placed here again

 

near but across the caesura

 

the rent stanza in our accord

 

as what I am cracks 

 

into two acts

 

and one replays the scene

 

revising it toward—

 

 

some imagined salvific end 

 

    if trajectory 

 

    is divisible

 

    I gauge the thief’s increasing

 

               distance from me

 

               instinctively as when flying

 

               I measure the gap

 

               from jet to ground

 

               with an image of my body falling

 

    a red petal

 

               he veers to the street

 

    and something summons me again

 

    a wheeze spins me around

 

    to see a white-haired man

 

    in a sluggish run

 

              slather of mucus under

 

              pigeon-hole nostrils, his gaze

 

              nailed ahead at the crossing

 

              my eyes put on his face

 

                his mouth a gasping rictus

 

                as he plods past

 

                never to catch

 

                what—

 

 

                                   

 lulled on routine and self

 

and casual neglect I let slip

 

rooted in place around me

 

a block of storefronts and trees

 

a man on foot falling farther behind

 

the one on bike and 

 

the rest of us unrescued

 

stopped in time transfixed

 

to this stark spectacle of our separateness

 

making its stand

 

hammering its horizons home

 

behind which each of us says I don’t know

 

who you are

 

you never broke through me

 

the key makes no sound

 

when you go to play

 

the world shifts

 

along a hairline crack

 

you can’t tell 

 

what is happening 

 

until it moves on and is gone 

 

as someone and someone’s grief 

 

careen around a corner 

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Mission Thief

Moving Around for the Light,
a Madrigal

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